Honey Bee Swarm

Bruce Sterling is one of the famous writers of different science fiction stories, i.e. “Crystal Express”. And now it is time to say something about his work – “Swarm”. That very part, presented for analysis, gives us the opportunity to see the main theme of the story, and to find the real meaning of the title.

The main idea of the story is life – its beings, looking for something new, thought about universe, fights for better future and so on. Life is a kind of treasure thing, which was given by greatest powers in order to do something useful not just for yourself, but for others. All this we can observe through the actions of Capitan-Doctor, who worked for his government, party and race. It is clear that race plays not the last role in our life, but sometimes, the rules, settled by the leaders are not necessary. As the result, we can see that the actions took place in far future, with new inventions and priorities. But the major morals stay the same. The new information is useless.

But also, comparing present and future, we can observe that the technologies rest same. And the author made Capitan-Doctor choose between his life and his devotions.

The author didn’t join either the side of arm race or the side of information. Wars, aggression, and injustice – all this made a terrible impact on life caused by the actions of race leaders. People try to reach their goals by loosing their own priority. They changed their genes in order to become better, but it didn’t help. The result was just to transformation into a kind of mechanism of one large machine. And we can observe that Captain – Doctor is a wonderful model for such transformation. His genes were modified, but his wouldn’t become better or prettier.

There is a little conclusion that our actions shouldn’t be under one’s guidelines. We have the right to choose but not to be chosen. And if you accept the second side – you are weak person and this very life you just lose time and occupy one’s place. Please, don’t waste your time.

Stephen King signature.

All writers communicate with an audience, even diary writers, who start as their own audience of one. A letter writer may write for an audience of one, a business writer may write of an audience of thousands or more, if they are fortunate, and the Stephen Kings of the world write for millions and millions of readers. Audience size aside, writers want readers to read what they have written.

If you want to write, you need to read books on writing; you need to surf the web to see what other writers are doing; you need to look at articles and other resources. In addition to reading on the craft of writing, you need to read. Stephen King’s quote captures the importance of reading in four sentences:

It’s hard for me to believe that people who read very little – or not at all in some cases – should presume to write and expect people to like what they have written. Can I be blunt on this subject? If you don’t have time to read, you don’t have the time – or the tools – to write. Simple as that.

Reading is the foundation that all writing is built on. When we read, from cereal boxes to Shakespeare, with Stephen King in between, we absorb the examples that we will later use to write. Read quantity; read quality; read obsessively. Turn your TV off. Read while you eat breakfast and brush your teeth; read during your lunch break and while you exercise; read after dinner and read in bed. Reading leads to writing.

If you like romances, science fiction, and westerns, read them. If not, read at least one of each. Read the Great Books. For more information on the Great Books, read about them at Wikipedia. Read the great authors of the world. If you are not sure who the great authors are, google and find out. Read magazines and newspapers. Read what you like and read at least a small amount of what you don’t like. Just read.

When you read, a number of things happen. On the micro level, your ability to play with words grows. You meet words hanging around with other words that you would not have considered for your own writing. You begin to appreciate the elasticity of words. Still on the micro level, you develop a keener sense of linking one sentence to another.

At the macro level, you begin to see writers responding to each other. You’ll find ideas that you want to explore and built upon. You’ll develop your own database of ideas.

Between the micro and the macro levels, you may want to consider, if you’re not already doing so, keeping a journal. Journals are ideal for developing a database of ideas and experiences that can be incorporated into your writing. Ideas can sometimes be quite slippery, but writing these ideas down makes them clearer. Having ideas in a place where you can regularly visit them means that you have a foundation upon which to build.

In addition to reading and writing, you may want to look for other writers to talk to and read with. As writers and as readers, community can be a significant addition to helping us produce new work and get input.

Still, you’re the writer and you have the ultimate say in what works and what doesn’t work for you. That goes without saying.

After you have read and read and read, read books on writing. Read “The Elements of Style” by Strunk and White. Find all the books on writing in your local and not so local libraries. Read them. Borrow writing books from friends and acquaintances. Read them. Google and see what other books on writing look good to read. Ask your library to get you copies. Read.

As you read, you may begin to look at words in a new light. You may begin to see how words are bits and pieces of meaning that writers string together to create an entire world. Words become tools for developing and shaping a slice of the world. You might want to think about diaries and how they are written. What is important in one entry has been forgotten three entries later. Now becomes the most important element in the diary. This may be true of the news. Novels are at the other end of the writing spectrum. Although novels do have a now, novels focus on plots that develop over time.

As you read books on writing, continue to read other books. You will begin to be more conscious of the technical aspects of writing including vocabulary use, punctuation variety, and strong nouns and verbs. Congratulations! You have become a reader. Now, you can think about becoming a writer.

Why Superheroes?

They’re in our movies. Every few years there’s a rush of superhero films (and apparently a big rush as of this writing).

They’re on television. We’ve been having superhero stories for quite a few years now. We’ve also had “superheroesque” shows like Buffy and Supernatural, which are superhero stories with other trappings.

They’re in games, despite the fact that superhero games have a dismal history with a few shining gems.

They are, of course, in comics. Comics may expand their themes in North America, but it keeps coming back to superheroes.

So, why superheroes? Why are they everywhere, and even when they fade, why do they come back?

I could talk Joseph Campbell and nostalgia and the like – and there are indeed many reasons. But I think one reason that is oft ignored is that the superhero genre is not a genre – it’s a mishmash of all genres. That gives it a freedom and a power that people operating in the media spheres of the economy need to understand.

If we take a look at the origin of superheroes, they themselves are a mishmash. Batman starts as a pulp detective in a costume. Superman and Spider man have their origins in science fiction. Wonder Woman’s background is myth and magic, as is Doctor Strange. Superheroes themselves come from many types of stories and backgrounds.

The creative cocktail of superherodom becomes richer when these characters began crossing over and sharing continuities many decades ago. Batman’s dark world was also the world of god-like Superman. Spider man coped with his science-given powers in the same universe where dread Dormammu challenged Tibetan-trained Doctor Strange. Though “fused genres” were known before in the pulps, and in the weird fiction of H.P. Lovecraft and others (which often fused science fiction and the occult), superheroes did it bigger, broader, and more prominently.

The result of this is, I believe, a kind of “metagrenre” that accepts a kitbash of story types, character types, and backgrounds. This acceptance of crossover means that stories with a superheroic element to them can do most anything and find a public that accepts it. If it’s got a bit of the comic book in it, people will accept alien detectives from Mars, magic-wielding aliens from a world of wizards, and a romantic comedy triangle between a superhero, his secret identity, and a tough-as-nails female reporter.

If it’s got a superheroic streak to it, you can have fun and get away with things you couldn’t in any other genre. Buffy the Vampire slayer can toss in vampires, cyborgs, and government conspiracies into one story. Alien bounty hunter Lobo can fight demons. You can do anything.

If you want to do everything at once, the superhero genre or a variant is the way to go for your story, book, comic, or other media property.

The flaw of course is that people are less likely to buy a mash-up without the superheroic streak to it – though I think that’s beginning to change. However it’s still rare to see the kind of crazy genre combinations that you see in superhero and superhero-like stories.

But if that gateway has been opened, as we’ve seen, it may change in the years to come. Batman and Doctor Strange and the rest have blazed the trail for us to slam together accepted genres. At the rate we’re seeing superheroic themes in media, it may become accepted.

If you work in media? You’ll want to be there.

Most writers dream of having their books published. We write something to express our thoughts, feelings, insights, and opinions.

There is a large population of readers. People like different things, from fashion, food, cars, movies and other whatnots. It’s definitely a complicated world out there. For you to be an effective writer, it is only necessary that your book fit a specific audience.

Below is a list of currently hot genres that every upstart self-publisher should consider writing about:

Action-Adventure
This type of genre composes physical action and violence. It usually revolves around a quest or a mission that is often set on exotic areas like islands, mountains, jungles or deserts. City settings are by default the usual setting but if you’re into science fiction, too, outer space would also do well.

Crime
Often, this genre is written from the protagonist’s point of view though there’s no rule that you can’t write a book on crime from the perpetrator’s point of view. Technical research is necessary especially since this genre would revolve around penal and court systems as well as how cases are handled by the local or national police. It is also important that you logically take pieces of the puzzle out and effectively connect them at the end.

Fantasy
This is the type of genre where your imagination can go appropriately wild. Fantasy stories are usually set on fancier versions of the real world. It usually involves magic, mystic elements, or supernatural creatures. Fantasy stories are interestingly intriguing and complex given that they are boundless.

Horror
The horror genre is dominantly a composition of fear and fascination for most readers. It usually makes use of medical, psychological, religious, and supernatural ideologies. Readers paradoxically fear yet continue flipping pages until the book is done.

Mystery
This kind of genre technically involves characters that aim to discover or unravel vital information. The mystery is usually kept hidden until the story’s climax and at times even involves plot twists.

Romance
According to Janet Grischy of Helium.com, “The best selling genre of paperback fiction is romance, accounting for more than half of total sales. Within the genre of romance are many sub-genres, assuring that every reader will find the kind of book she is looking for”. The romance genre’s ultimate goal is to have a happy or well deserved ending.

Science Fiction
The science fiction genre involves specific branches of science and technology as major plot elements. It usually talks about the future and is most often set on a futuristic version of Earth or on other planets in differently galaxies.

In a famous quote from Henry Brooks Adams, he states “A teacher affects eternity; he can never tell where his influence stops”. Publishing one’s book is fairly similar to teaching. When you decide to write for others, you narrate your experience or imagination and share insights that the reader can either agree or disagree with. When you write for others, you challenge their minds to think twice on things they used to believe in. Sometimes, it can even affect current beliefs, faith, and values that were molded for years. Because once you get your book published, you can never know how great it can influence every reader’s perspective on the way certain things are.

Dreams don’t come true unless you work hard for it. Go ahead, write that book.

© 2011 science fiction in motion